WebSidechain compression is often used to create space for the kick drum to dominate the low-end. You can sidechain the kick and bass to ensure the kick is always punchy throughout … Web18 jul. 2024 · So a kick drum hit goes 10dB over the threshold, and you used a ratio of 2:1, the compressor would still let 5dB out that hasn’t been compressed. Therefore this gives you a 5dB (50%) gain reduction, which is very soft. 10:1 – For every 10dB of audio over the threshold, 1dB will come out.
The Ultimate Kick Drum Compression Beginner’s Guide
Web4 mei 2024 · The compression is triggered by an external sound source, typically a kick drum or another percussive sound. For example, sidechaining the bass with the kick will quickly attenuate the bass level and make space every time the kick hits. WebUse serial compression for a more natural bass sound. Use two compressors, each applying 2-4dBs of gain reduction with a ratio between 3:1 - 5:1, and medium attack and release times. A release time between 50-150ms is a … eso crafting set gear
808 Mixing Tips: How to Get Fat and Powerful 808 Bass
Web12 dec. 2024 · Saturation and distortion introduce harmonic content and boost what’s already there. Another way to do this is to layer your bass track with another performance of the same melody but using turning up … Web7 jul. 2024 · When the kick and bass play at the same time, the bass gets pushed down to make room for the kick drum. The bass is not compressed when the kick is not playing. In this context, faster attack and release times help the bass react and recover quickly in response to the kick drum. Web21 feb. 2024 · You take a synth—usually a bass—and put a compressor on it; then you trigger its sidechain input with the signal of the kick. The attack and release parameters are your most important controls here, as they dictate how the bass will suck down when the kick hits, and how it will rise back up again. finlay by louise luton